| Brown, Hamish |
Directing Psychodrama on Stage (PDF, 143.4 KB) |
Journal 29 December 2020 |
director, encounter, humanity, love, photography, protagonist, Psychodrama, role |
It is 10 am. I am sitting at the edge of a horse shoe of 8 chairs on the stage of the dilapidated Crystal Palace Theatre in Mt Eden. It is freezing and a vast blackness stretches upwards and beyond the first few rows of chairs that I can make out. I draw my attention down and into the group, I take in the stage lights set up around the group, the lighting technician adjusting things at the edge of the circle, Yvonne looking on with her camera. Now I can see the people in the group I will be working with, some I know well and we exchange easy smiles, others are new to me and new to the psychodrama method, sent along by enthusiastic friends to a free workshop. Briefly, I get anxious as I consider their experience, this must seem crazy to them, to be sitting in this place among all of this. |
6 |
2020-12 |
| Shaw, Yvonne |
The Honest Mirror (PDF, 1.2 MB) |
Journal 29 December 2020 |
auxiliary, auxiliary ego, mirroring, photographs, photography |
Photographs, even documentary ones, are ambiguous records. I am drawn to many types of photographs, ones that are tricksters as well as ones that are faithful. In my own practice as a photographer I am interested in making portrait photographs that mirror social encounters, photographs that connect the viewer to a depth of expression in human relationships. In April, 2019 I was in a marvellous, run-down theatre in Auckland making a series of photographs of psychodrama that I hoped would bring the method of psychodrama to life in a realistic way. This is the story of how that series came about. It is a telling of my love for photography and my love for psychodrama and the parallel I see between the photograph and the psychodramatic concept of the mirror. |
5 |
2020-12 |
