||A Haiku Journey — Slow Walk Around a Small Island
||Journal 29 December 2020
||environment, imagination, love, poetry, reflections, warm-up, writing
||Prologue: I think we’re all time travellers. In a second we can conjure events from the past and the experiences and feelings of back there and then can flood into our here and now and become real. And the opposite can occur — a present moment can activate my memory glands. I often experience this when writing Haiku. There’s a formula to traditional Haiku — three lines — 5 syllables in the first, 7 in the second and 5 in the third. I like and prescribe to the seventeen syllable limit as I experience a satisfying feeling of push-back, a kind of requisite resistance to other poetic foibles I may have at the time. But I’m getting ahead of myself. Please join me for a slow walk around my island home of Coochiemudlo. Along the way I’ll let you in on how this journey started, my now abiding passion for Haiku, how I benefit from my practice, a little of my process and how I use it in my work with clients.
||Surplus Reality: The Magic Ingredient in Psychodrama
||Journal 20 December 2011
||as if, auxiliary ego, concretisation, imagination, locus nascendi, maximisation, neuroscience, protagonist, role reversal, social atom repair, spontaneity, status nascendi, surplus reality, systems theory, unconscious
||Anything that can be imagined can be created on the psychodramatic stage. This is the magic that makes surplus reality a central aspect and powerful tool of Dr. J.L. Moreno's psychodrama method. Through surplus reality a person is able to enter the unknown, live out their fantasies and become the creator of their own life. Using psychodramatic work as illustration, Ali Watersong demonstrates the way that surplus reality facilitates the development of spontaneity, brings about social atom repair and assists in the formation of a positive identity.