| Levack, Glenis |
Creating a New Warm Up to Learning (PDF, 114.6 KB) |
Journal 31 December 2022 |
as if, coaching, doubling, encounter, J L Moreno, learning style, mirroring, parents, Psychodrama, relationship, role, role training, warm up |
Teenagers who are pregnant or who have a young child face many challenges in returning to school, especially when they have had a number of earlier learning experiences that have been discouraging. In this article, factors resulting in students feeling that they lack the capacity to learn are acknowledged and interventions that assist them to have a new experience of learning are described. |
20 |
2022-12 |
| Simmons, Neil |
Moreno (Back) in the Doctors’ Surgery (PDF, 123.4 KB) |
Journal 31 December 2022 |
concretisation, creativity, health, mirroring, Moreno, patient, psychodramatic methods, relationship, role, social system, spontaneity, tele, warm up |
I am a creative being. As a child I was artistic. I was always making things; baskets, weaving, jewellery, drawings, paintings and furniture. Since deciding not to be a professional artist and to continue being a doctor, I have been on a quest to bring creative life to my medical work. In more recent years, psychodrama has been a companion in this quest. |
5 |
2022-12 |
| Rock, Cissy |
Embodying a Creative Revolution: A Sociodramatist at Work (PDF, 96.9 KB) |
Journal 31 December 2022 |
as if, community development, creativity, encounter, God, health, mirroring, Moreno, playback theatre, relationship, role, sociodrama, sociometry, spontaneity, systems theory, warm up |
This article explores Moreno’s notion of sociatry and the required creative revolution that involves everyone in the healing of society (Moreno, 1947). It will appeal to anyone wanting to work sociodramatically or wanting to get to know about Moreno’s concepts of sociatry and creative revolution. It is also relevant for anyone working with principles of social justice, equity, dignity, diversity and inclusion. |
7 |
2022-12 |
| Whisker, Craig |
Tauhara Encounter: Reflections on a Residential Psychodrama Group Session (PDF, 129.8 KB) |
Journal 31 December 2022 |
audience, auxiliary, auxiliary ego, creativity, director, doubling, encounter, mirroring, Moreno, production, protagonist, Psychodrama, psychotherapy, reflections, relationship, role, role reversal, sharing, spontaneity, tele, warm up |
Since 2013 I have co-led with either Marian Hammond or Selina Reid, and have twice led by myself, an annual winter residential psychodrama retreat at the Tauhara Retreat Centre located above Acacia Bay on Taupō-nui-a-Tia, Lake Taupō near the centre of Te Ika-o-Māui, the North Island of Aotearoa, New Zealand. On each occasion I write copious notes describing workshop sessions and my initial analyses and reflections on them and I jot down insights from between-session or end-of-day discussions with my co-leader. The process of writing while memories and impressions are still fresh captures what in days, even hours, may be unrecoverable. When I warm up to re-entering the stream of consciousness I had during the session I often perceive more than I did when in the group. These are unpolished perceptions. They include wonderings or conflicts that I form into questions or pose as contrasting points of view and they sometimes cause fragments of associative thought to surface from deep within my psyche, or a new perspective to suddenly appear like the bright green tip of a spring bud. |
8 |
2022-12 |
| Clark, Cushla |
Staging the Therapeutic Experience - Using Moreno’s psychodrama stage in parenting groups for women (PDF, 259.9 KB) |
Journal 28 December 2019 |
action space, audience, balcony, enactment, J L Moreno, levels, Moreno, Psychodrama, psychodrama stage, spontaneity, warm up, warm up step |
Moreno proposed the psychodrama stage as the first instrument of psychodrama. He designed it with four levels, the audience, the warm up step, the action space and the balcony, which mirror the stages of a protagonist’s warming up process. Providing illustrations focused on the use of the warm up level or step and the balcony in parenting groups for women, Cushla Clark proposes that a psychodramatist who maintains consciousness of the structure of the Morenian stage, including improvising the different levels when physical constraints are present, is able to enhance a protagonist’s warm up to spontaneity and produce a full and satisfying dramatic enactment. This article is drawn from Cushla’s AANZPA thesis, Liberation via The Stage. |
5 |
2019-12 |
| Howie, Peter |
Digging for gold: the search for meaning (PDF, 229.4 KB) |
Journal 27 December 2018 |
Max Clayton, warm up, warm-up, warming up |
What are you focusing on in your research?’ Max asked with clear interest. ‘Defining the psychodramatic concept of warm-up, Max,’ I said. I could see that Max was becoming mildly congested as his eyes reddened and his nostrils flared, presumably from the strengths of his responses ranging from ‘I’ve already written about that extensively’, to ‘Haven’t you listened to anything I’ve ever said?’ Not waiting for the congestion or dyspepsia to pass, whichever it might have actually been, I hurried on to head him off at the pass. ‘I know you’ve written about warm-up extensively in your co-authored book and in other works and chapters. You’ve written about how to recognise it, how to work with it, and where to expect it. And you’ve also taught extensively on how to notice and recognise it, and then work with it psychodramatically.’ As I spoke, Max seemed to settle, so I continued... |
4 |
2018-12 |
| Howard, Katherine |
The Dance of Relationship: Using Moreno in Workplace Injury Rehabilitation (PDF, 90.2 KB) |
Journal 20 December 2011 |
coaching, creativity, cultural conserve, doubling, injury, mirroring, modelling, Moreno, Psychodrama, rehabilitation, role, role relationship, role reversal, role training, spontaneity, warm up, workplace |
Katherine Howard explores the use of Moreno's methods in what has become, in Morenian terms, a robotic workplace injury rehabilitation system. Presenting two case studies as illustration, she employs the metaphor of the dance of relationship to capture the way in which psychodramatic techniques transform difference and conflict into mutuality and cooperation, habitual coping roles into fluid and progressive functioning. This article is adapted from the author's 2010 Australian and New Zealand Psychodrama Association (ANZPA) accreditation thesis, Spontaneity and Creativity at Work: The Application of Morenian Methods in Workplace Injury Management. |
11 |
2011-12 |
| Marks, Liz |
A Traveller's Guide to Supervision Principles and Practice (PDF, 124.4 KB) |
Journal 21 December 2012 |
development, learning culture, learning style, Moreno, relationship, supervisee, supervision, supervisor, systems, warm up |
In this article, Liz Marks reflects on over twenty years of experience as a supervisor of counsellors. Providing illustrations, she draws out some of the principles and practices that have guided her on this journey. Of particular note are the development of adequacy in warm up, relationship and learning culture, taking a systems approach, relating to the developmental stage of the supervisee and viewing the supervision process as an ongoing, unique and highly valued enterprise for both supervisor and supervisee. |
12 |
2012-12 |
| Kearins, Helen |
History on a Bus: Using sociodrama to address racism and reconciliation (PDF, 176.8 KB) |
Journal 21 December 2012 |
Aboriginal Australians, racism, reconciliation, sociodrama, warm up, White Australians |
In Sydney's Redfern Park on the 10th of December 1992, the launch of the International Year of Indigenous People, the then Australian Prime Minister Paul Keating delivered a ground breaking speech that gave great hope to people working for reconciliation with Aboriginal Australians. One of those inspired to continue this work, Helen Kearins developed a workshop that assists participants to own racism and move beyond it towards genuine reconciliation with Aboriginal people. In this article, adapted from her 2011 AANZPA Accreditation thesis, she demonstrates the efficacy of sociodrama in this work. |
12 |
2012-12 |
